Since 1995

Phase I of acentrism arises from the need to cleanse, to break down the connotations that determine personality and to resolve the emotional "SOSpeso", by breaking down (acentralising) the forma mentis. How? By observing the comings and goings of one's thoughts. Why? Because thought creates. What does? Our perception of reality. The hyper-polished observation of one's mental states allows one to keep only what is convenient to think, according to what one still intends to experience in daily life. The rest must be discarded. Not thought about, not evoked.

Since 2004

Following Phase I (mental cleansing of the artist and material of the work), the artist develops the ability to grasp the supersensible presence between the lines of the material.
Here, entering into subtle causes becomes the order of the day and light becomes not only a means of expression for art, but also a metaphysical referent. In this Phase II the first significant step towards theImmaterialis taken.
Daily exercises train the eye to glimpse in order to optimise the ability to grasp the invisible in what is visible and vice versa. Phase II puts all its focus on the Light that animates Phase II places all its interest on the intra-worlds, although this investigation is always in the making and on the emergence of circumstances; this very happening-fall into matter is the starting point of the series Painted Light Slides.

Since 2006

Phase III is the encounter with the Immaterial through the virtuality of digital art. This medium makes it possible to create and transmit etheric works: visible but not really tangible.
In Phase III of acentrism, five series have been created and developed over time in this order: Ascending Stargates, Clockwork Bubbles, Robes of San(T)ity, Body of Light e Tantric Pollutions.

Since 2011